{"id":24420,"date":"2023-10-01T00:11:22","date_gmt":"2023-10-01T07:11:22","guid":{"rendered":"https:\/\/sandiegotroubadour.com\/?p=24420"},"modified":"2023-09-28T13:21:16","modified_gmt":"2023-09-28T20:21:16","slug":"ed-croft-part-iii","status":"publish","type":"post","link":"https:\/\/sandiegotroubadour.com\/ed-croft-part-iii\/","title":{"rendered":"Ed Croft, Part III"},"content":{"rendered":"<p><strong>CLIFFHANGER!!<\/strong><\/p>\n<div class=\"story-images\">\n<div id=\"attachment_24424\" style=\"width: 910px\" class=\"wp-caption alignleft\"><img fetchpriority=\"high\" decoding=\"async\" aria-describedby=\"caption-attachment-24424\" class=\"size-full wp-image-24424\" src=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/ed-croft_sven.jpg\" alt=\"\" width=\"900\" height=\"1200\" srcset=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/ed-croft_sven.jpg 900w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/ed-croft_sven-160x213.jpg 160w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/ed-croft_sven-240x320.jpg 240w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/ed-croft_sven-768x1024.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-24424\" class=\"wp-caption-text\">Ed Croft &amp; Sven-Erik Seahholm.<\/p><\/div>\n<\/div>\n<p>48 hours from the time Ed and I stood watching our pet recording project metaphorically careening down a darkened alley, <strong>Bill Ray<\/strong> had emerged from his personal studio in the shadows of Washington\u2019s Cascade mountains and recorded, mixed, and sent us back the multitrack drum files for five of the album\u2019s 12 songs.We were back in business.<\/p>\n<p>It almost doesn\u2019t seem fair that I would have such unfettered access to a busy world-class musician like Bill, but this album has always been about <em>friendship<\/em> and I\u2019m very proud to say that as with Ed, <a href=\"https:\/\/billraydrums.com\">https:\/\/billraydrums.com<\/a>, and I have been as thick as thieves since <em>the \u201990s<\/em>.<\/p>\n<p>I must say, though, that Bill\u2019s particular setup has\u2026<em>evolved<\/em>. I mean, he now has a five-camera setup that changes shots at intervals while he\u2019s recording his incredible performances. It was almost like being a guest on a talk show where the host sits behind a drum-kit instead of a desk. He can even hit rim shots for his own punchlines!<\/p>\n<p>The working method between Bill and myself has been forged over a great many sessions together. It\u2019s a routine based upon communication, nonverbal and otherwise. Bill and I usually listen through it first, but invariably he will begin to find a feel that suits the song\u2019s arrangement and starts to play along. At this stage, I try to alternate between <em>availability<\/em> and <em>invisibility<\/em>. Bill stops, asks a couple of questions, plays a bit more, then says, \u201cAlright man, let\u2019s take this.\u201d And we\u2019re off, as the song says, to the rodeo.<\/p>\n<div class=\"story-images\">\n<div id=\"attachment_24427\" style=\"width: 910px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-24427\" class=\"size-full wp-image-24427\" src=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/eric-lieberman.jpg\" alt=\"\" width=\"900\" height=\"1200\" srcset=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/eric-lieberman.jpg 900w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/eric-lieberman-160x213.jpg 160w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/eric-lieberman-240x320.jpg 240w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/eric-lieberman-768x1024.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-24427\" class=\"wp-caption-text\">Eric Lieberman.<\/p><\/div>\n<\/div>\n<p>As with so many elements within this project, we didn\u2019t really do it that way this time.<\/p>\n<p>Readers of previous chapters of this story may remember that we had the AI versions. Those demos were all at the right tempos and in right keys, so Bill just made his way into his studio with his big ol\u2019 cup o\u2019 joe and just ripped into those songs throughout the morning, seemingly pushing and pulling the feel like taffy and creating a series of \u201cperformances\u201d that we could use to fortify this foundation and build an entire album upon it.<\/p>\n<p>Which is exactly what we did. Just, like I said\u2026not like <em>before<\/em>.<\/p>\n<p>We were still facing scheduling issues that can be part and parcel to working with such in-demand musicians, but after hearing the brightness and energy in Bill\u2019s parts, it was quickly decided these players could tackle the bass and keyboard parts in separate sessions and still retain the great feel that we were looking for from these tracks.<\/p>\n<div class=\"story-images\">\n<div id=\"attachment_24429\" style=\"width: 910px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-24429\" class=\"size-full wp-image-24429\" src=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/dave-gleason.jpg\" alt=\"\" width=\"900\" height=\"1200\" srcset=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/dave-gleason.jpg 900w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/dave-gleason-160x213.jpg 160w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/dave-gleason-240x320.jpg 240w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/dave-gleason-768x1024.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-24429\" class=\"wp-caption-text\">Dave Gleason.<\/p><\/div>\n<\/div>\n<p><strong>Paul Denton<\/strong> is another longtime friend. We even went to high school together, but he still denies knowing me. Anyway, he played his <strong>Rickenbacker<\/strong> bass and <strong>Fender Rumble<\/strong> amp, which I recorded directly from an XLR jack at the back of the amp. The tone from the combination of the bass and the amp is dark, but with an upper midrange snarl that gives the entire album a dangerous grit when he digs in, which he does thrillingly throughout.<\/p>\n<p>Keyboardist <strong>Casey Gee <\/strong>(whom I produced with his band, Crash Carter some years ago) brought his<strong> KORG SV-1 <\/strong>(it\u2019s got a bitchin\u2019 little tube in it!) and in one single epic session, he piled bales of raw musical talent through a spectrum of emotive, sensitive, and passionately fiery stylistic turns. He smiled the whole time and so did I!<\/p>\n<p>Meanwhile, back at the computer\u2026<\/p>\n<p>Here we are, making a saxophonist\u2019s record with a decidedly <em>unexpected<\/em> set of covers, featuring the unique talents of <em>10<\/em> San Diego guitarists as guest soloists, with a sound that comes from <em>some other<\/em> time.<\/p>\n<div class=\"story-images\">\n<div id=\"attachment_24431\" style=\"width: 910px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-24431\" class=\"size-full wp-image-24431\" src=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/Casey-Gee.jpg\" alt=\"\" width=\"900\" height=\"675\" srcset=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/Casey-Gee.jpg 900w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/Casey-Gee-160x120.jpg 160w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/Casey-Gee-240x180.jpg 240w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2023\/10\/Casey-Gee-768x576.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-24431\" class=\"wp-caption-text\">Casey Gee.<\/p><\/div>\n<\/div>\n<p>We are sometimes doing so piece by painstaking piece and often out of order.<\/p>\n<p>This is not the conventional formula.<\/p>\n<p>And yet, it\u2019s somehow working\u2026<em>Damn!<\/em><\/p>\n<p>To hear Ed Croft\u2019s wonderful melodic gifts wrap around these songs, reinventing and re-presenting a whole genre of music along the way, is in a word: <em>exhilarating<\/em>. My personal goals have already been met, because Ed and company have made the music we both heard in our heads and heart<\/p>\n<p>Within the next week, I should (lol!) have the final three guest solos recorded and will have been mixing and balancing things in the meantime. Which means <em>we just might finish it within the deadline!<\/em><\/p>\n<p>Cool. Of course, there are still photos, artwork, bios, press releases, and other promo materials to prepare. One way or another, this music is happening! We can\u2019t wait to share it with you.<\/p>\n<p>After all, we\u2019re all friends here.<\/p>\n<p><em>Sven-Erik Seaholm is a Singer, Songwriter and Producer in San Diego, CA <\/em><a href=\"http:\/\/www.svensounds.com\"><em>www.svensounds.com<\/em><\/a><br \/>\n<em>More can be heard and learned about Ed Croft at <\/em><a href=\"http:\/\/www.edcroftsaxophone.com\"><em>www.edcroftsaxophone.com<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CLIFFHANGER!! 48 hours from the time Ed and I stood watching our pet recording project metaphorically careening down a darkened alley, Bill Ray had emerged from his personal studio in the shadows of Washington\u2019s Cascade mountains and recorded, mixed, and sent us back the multitrack drum files for five of the album\u2019s 12 songs.We were back in business. It almost doesn\u2019t seem fair that I would have such unfettered access to a busy world-class musician like Bill, but this album has always been about friendship and I\u2019m very proud to say that as with Ed, https:\/\/billraydrums.com, and I have been as thick as thieves since the \u201990s. I must say, though, that Bill\u2019s particular setup has\u2026evolved. I mean, he now has a five-camera setup that changes shots at intervals while he\u2019s recording his incredible performances. It was almost like being a guest on a talk show where the host sits [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":24436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-24420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zen-of-recording"],"acf":[],"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts\/24420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/comments?post=24420"}],"version-history":[{"count":10,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts\/24420\/revisions"}],"predecessor-version":[{"id":24435,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts\/24420\/revisions\/24435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/media\/24436"}],"wp:attachment":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/media?parent=24420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/categories?post=24420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/tags?post=24420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}