{"id":31610,"date":"2026-03-01T00:11:57","date_gmt":"2026-03-01T08:11:57","guid":{"rendered":"https:\/\/sandiegotroubadour.com\/?p=31610"},"modified":"2026-02-24T13:34:53","modified_gmt":"2026-02-24T21:34:53","slug":"tim-edwards-the-sanctuary-sessions","status":"publish","type":"post","link":"https:\/\/sandiegotroubadour.com\/tim-edwards-the-sanctuary-sessions\/","title":{"rendered":"TIM EDWARDS: The Sanctuary Sessions"},"content":{"rendered":"<div class=\"story-images\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-31612 alignleft\" src=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover.jpg\" alt=\"\" width=\"1179\" height=\"1189\" srcset=\"https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover.jpg 1179w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover-160x161.jpg 160w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover-240x242.jpg 240w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover-150x150.jpg 150w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover-768x775.jpg 768w, https:\/\/sandiegotroubadour.com\/wp-content\/uploads\/2026\/03\/cover-80x80.jpg 80w\" sizes=\"(max-width: 1179px) 100vw, 1179px\" \/><\/div>\n<p>Local songwriter and singer Tim Edwards has carved out a nice little reputation as a member of Farm Truck, a rootsy country combo whose music resides somewhere between Buck Owens, Pure Prairie League, and the Beat Farmers. That same sort of vibe permeates Edwards\u2019 new solo release: more rocking than most country, and waaaaay more country than even most country rock. The biggest difference between the band and his solo outing is that <em>The Sanctuary Sessions <\/em>is a bit less rocking than a Farm Truck set, a bit more steeped in acoustic country traditions.<\/p>\n<p>Edwards\u2019 voice lends much of the twang that underpins this lovely collection of an even dozen songs. He\u2019s possessed of a mid-tenor range, and on most of the tracks he delivers the vocals with a distinct nasal overtone that gives it a certain Appalachian feel. But many of the arrangements are closer to the classic Bakersfield Sound than anything else\u2014the combination is a sound that can\u2019t be pinned down as anything other than purely American.<\/p>\n<p>There are no songwriting credits on the CD jacket, but if any are covers, your loyal correspondent didn\u2019t recognize them as such.<\/p>\n<p>The opening track, \u201cForever,\u201d is anchored by Edwards\u2019 acoustic guitar and upbeat vocals. It\u2019s a gorgeous love song, enriched by the harmony vocals of Cathryn Beeks.<\/p>\n<p>The album really finds its gear on the second track, though. \u201cBakersfield Mud\u201d has a melody with a hook a mile wide, Edwards guitar is positively jaunty, and bassist Dave Michaels adds rich harmony vocals.<\/p>\n<p>The lyrics, too, are fun and clever:<\/p>\n<p><em>She\u2019s got Bakersfield dust on her windshield<br \/>\n<\/em><em>And Bakersfield mud on her tires<br \/>\n<\/em><em>She\u2019s just passing through on her way to a destination<br \/>\n<\/em><em>Guess where she\u2019s going to?<\/em><\/p>\n<p>Steel guitar adds yet another homage to the Bakersfield Sound, and Edwards\u2019 solo on acoustic guitar is a gem.<\/p>\n<p>\u201cRandy, Vigilante\u201d opens like a \u201970s country rocker\u2014before the lyrics unfold of a story about a coward acting tough in the shadows.<\/p>\n<p><iframe title=\"Fireball and Tears\" width=\"740\" height=\"555\" src=\"https:\/\/www.youtube.com\/embed\/vf40dgxfaOo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Two drinking songs\u2014\u201cBloody Mary Blues\u201d and \u201cFireball and Tears\u201d\u2014trod try and true themes, but do so with great skill and nice melodies to boot.<\/p>\n<p>The album closes with the hardest rocker here, \u201cLipstick.\u201d Jangly electric guitar and a driving drum beat propel this ever forward, while Edwards sings about life with a strong woman.<\/p>\n<p>Beeks lends her harmony vocals to two more tracks, and Chloe Lou Liddell does as well on another couple. Michaels plays drums as well as bass (at least on the tracks with drums) and meshes seamlessly with Edwards\u2019 vocals and guitar.<\/p>\n<p>The overall result is a strong outing with hummable melodies, tales of memorable characters, and virtuosic playing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Local songwriter and singer Tim Edwards has carved out a nice little reputation as a member of Farm Truck, a rootsy country combo whose music resides somewhere between Buck Owens, Pure Prairie League, and the Beat Farmers. That same sort of vibe permeates Edwards\u2019 new solo release: more rocking than most country, and waaaaay more country than even most country rock. The biggest difference between the band and his solo outing is that The Sanctuary Sessions is a bit less rocking than a Farm Truck set, a bit more steeped in acoustic country traditions. Edwards\u2019 voice lends much of the twang that underpins this lovely collection of an even dozen songs. He\u2019s possessed of a mid-tenor range, and on most of the tracks he delivers the vocals with a distinct nasal overtone that gives it a certain Appalachian feel. But many of the arrangements are closer to the classic Bakersfield [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":31612,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-31610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-reviews"],"acf":[],"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts\/31610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/comments?post=31610"}],"version-history":[{"count":3,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts\/31610\/revisions"}],"predecessor-version":[{"id":31623,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/posts\/31610\/revisions\/31623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/media\/31612"}],"wp:attachment":[{"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/media?parent=31610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/categories?post=31610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sandiegotroubadour.com\/wp-json\/wp\/v2\/tags?post=31610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}